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暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

暂无英文版的简介，请添加内容帮助我们完善数据库。

A young girl finds comfort in play and slowly reconnects with her distant father after her mother walks out on the family.

This docu-fiction film explores the reality of “Shinsai babies,” those children born in the epicentre of or on the fringes of a catastrophic earthquake. They embody a subtle interplay between the memory of collapse and the promise of the future. March 2011. When the meltdown at the Fukushima Daiichi power station was filling screens all around the world, my father and I were in France, on tenterhooks as we awaited an imminent birth: that of my cousin. Meanwhile, the news coming out of Japan spoke of nothing but the disaster. The joy of this new arrival, five days after the tragedy, faded away without reaching us, lost somewhere along the telephone line. The disaster came as a clean break, erecting an invisible barrier that prevented our two childhoods from developing together, separated by fear and the imposed geographical distance. This project is thus conceived as the home movie that was never able to exist, punctuated by life’s great milestones, and bringing three different generations into dialogue. In attempting to stitch our childhoods back together, the narrative explores how bonds withstand the trials of the world. Blending personal archives with the effort towards reunion, this film seeks to transform a tragic date into an act of healing, making the image the place of our continuity.

Veronika is a cheerful, lively girl with great personal charm that few can resist. An animal lover, gifted with eloquence, she can blame all her mischief on her older brother and gets away with everything at home and at school. But one night, this overly trusting little girl runs away from home to meet a stranger who promised her a little puppy...

The main character, a forty-year-old doctor, tries to cope with situations that life throws at her as a successful dentist, but a less successful mother, lover, and ex-wife. The heroine's relationship with her daughter, lover, mother, and ex-husband is portrayed very convincingly and without the slightest idealization, reflecting the ambiguity and controversy of the contemporary female condition. Although the author accumulates in his novel and television script almost all the paradoxes of today's self-employed woman in the heroine, nevertheless (or precisely because of this) her story reflects the experience of most contemporary women. Especially those who place high demands on themselves and others, which, however, can rarely be met one hundred percent. And if it turns out that we owe the greatest debt to our own daughter, then it is no surprise that everything starts to change completely...

Bára and Luboš's marriage has long been dead, and her husband is living with another woman. Nevertheless, Barbora wants to adopt a child from a children's home. She asks her husband to support her and go through the adoption process with her. That is the only thing she still asks of him. But her husband hesitates, still remembering how Bára once had an abortion against his will. Nevertheless, he eventually agrees, and so the couple arrives at the children's home to pick up their son. Bohoušek is cute and spontaneous. The grandmother immediately takes to the boy, but Bára struggles with her emotional problems. Despite everything, she still loves her husband. The question remains whether she wants to use the child mainly to solve her loneliness...

M2原创的K-Pop吃播x问答节目《K-Pop Muk Quiz》，5月12日（周五）晚9点开播！ 1. EPEX 篇 2. THE NEW SIX (TNX) 篇 ……